| Calm
as a mirror, implacable, Pablo Ortiz Monasterio reflects the unspeakable
ravages of the "Last City," a post-apocalyptic Mexico City haggard by devastating
earthquakes, over-population, and pollution. Relentless as time itself,
however, life goes on. Although death and destruction are inevitable, Monasterio
defends life through the act of portraying it. Resisting resignation, explanation,
or exhortation, Monasterio simply bears witness to life's wounds and wonder...the
heartache and the hope. |