Bruce Davidson: 1964 / 2012 | Bruce Davidson first came to Los Angeles in 1964 on assignment for Esquire magazine. As a young New Yorker in L.A., he found himself at odds with what he described as a "cultural desert with acrid air, bumper-to-bumper traffic, tall palms, and seedy Hollywood types." Davidson approached this foreign landscape with the sardonic eye of an outsider looking in. The resulting images, shot with a 35mm camera, play with archetypes and stereotypes of the city with a quick and clever irony: bodybuilders and starlets; sunbathers and signwavers; the similarly glimmering cars and glistening surf of a beach parking lot; desperate hopefuls walking the streets in search of something more.
Nearly 45 years after Davidson first visited Los Angeles, he returned to the city with a vastly different shooting agenda. The crowded and buzzing social landscape of 1964 now serves as a distant backdrop for the quiet integrity of Davidson's clawed up yuccas, attenuated palms, and parched hillsides. This exhibition marries two series, the wry and the romantic, to present a multifaceted portrait of our city.
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