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AnOtherMag Presents: Inside the Mind of Seminal Photographer William Eggleston

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William Eggleston , 2016, Photography by Chris Rhodes

William Eggleston, 2016, Photography by Chris Rhodes

The godfather of colour photography answers Jefferson Hack's take on the Proust Questionnaire. His interview is accompanied by an original portrait shot by Eggleston devotee, Chris Rhodes.

Three weeks ago, William Eggleston made a rare appearance at David Zwirner Gallery in Mayfair, London to host a book signing of the accompanying tome to his magnificent new exhibition William Eggleston: Portraits, currently on display at the National Portrait Gallery. As one might expect, the 77-year-old, Tennessee-born photographer – whose revolutionary, five-decade strong opus has inspired generations of artists including David Lynch, Nan Goldin and Jeff Wall – drew an impressively large and diverse crowd, itself indicative of his superlative influence. One such attendee was British photographer and AnOther Magazine contributor Chris Rhodes, who seized the opportunity to take Eggleston's portrait [seen above] to mark the occasion. "To me, he's the greatest living photographer. I admire his visionary use of colour, turning colour photography into an art form – the simple yet profound way of photographing the mundane while ultimately creating visual poetry," mused Rhodes, adding...

Please visit AnOther Mag for comlpte read and questionnaire with Jefferson Hack

William Eggleston: the stories that inspired David Lynch's favourite photographer

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 Untitled, c.1975 (Marcia Hare in Memphis Tennessee) by William Eggleston CREDIT: EGGLESTON ARTISTIC TRUST

 Untitled, c.1975 (Marcia Hare in Memphis Tennessee) by William Eggleston CREDIT: EGGLESTON ARTISTIC TRUST

By Lucy Davies

By his own count, William Eggleston has taken somewhere between one and two million photographs, though only ever one of each scene. “I have a personal rule: never more than one picture,” he says, “and I have never wished I had taken a picture differently. It simply happens that I was right to begin with.”

Eggleston, now 76, speaks with the courtly lilt of a man born and raised in the tattered decadence of a 12,000-acre plantation in Memphis, Tennessee. Since he began taking pictures in the Sixties, photography has been his sole occupation, which explains the size of his oeuvre, but not its quality, which has enraptured viewers in the intervening years.

For full article please visit The Telegraph