Filtering by Tag: dye transfer print

AnOtherMag Presents: Inside the Mind of Seminal Photographer William Eggleston

Added on by ROSEGALLERY.
William Eggleston, 2016, Photography by Chris Rhodes

William Eggleston, 2016, Photography by Chris Rhodes

The godfather of colour photography answers Jefferson Hack's take on the Proust Questionnaire. His interview is accompanied by an original portrait shot by Eggleston devotee, Chris Rhodes.

Three weeks ago, William Eggleston made a rare appearance at David Zwirner Gallery in Mayfair, London to host a book signing of the accompanying tome to his magnificent new exhibition William Eggleston: Portraits, currently on display at the National Portrait Gallery. As one might expect, the 77-year-old, Tennessee-born photographer – whose revolutionary, five-decade strong opus has inspired generations of artists including David Lynch, Nan Goldin and Jeff Wall – drew an impressively large and diverse crowd, itself indicative of his superlative influence. One such attendee was British photographer and AnOther Magazine contributor Chris Rhodes, who seized the opportunity to take Eggleston's portrait [seen above] to mark the occasion. "To me, he's the greatest living photographer. I admire his visionary use of colour, turning colour photography into an art form – the simple yet profound way of photographing the mundane while ultimately creating visual poetry," mused Rhodes, adding...

Please visit AnOther Mag for comlpte read and questionnaire with Jefferson Hack

What makes William Eggleston's ordinary photographs so extraordinary?

Added on by ROSEGALLERY.

Though they’re presented as portraits, the images in this National Portrait Gallery show aren’t really portraiture. They’re much more ambiguous than that

Martin Gayford


‘Untitled’, c.1971, by William Eggleston

‘Untitled’, c.1971, by William Eggleston

In 1965 William Eggleston took the first colour photograph that, he felt, really succeeded. The location was outside a supermarket in Memphis, Tennessee; the time — to judge from the rich golden light and long shadows — late afternoon. Eggleston’s subject — a young man with a heavily slicked, early Elvis hairstyle stacking trolleys outside the shop — was as ordinary as he could be. But the result was a photographic masterpiece.

It is included in the exhibition William Eggleston: Portraits at the National Portrait Gallery, although, by most definitions, it is not a portrait. Indeed, it is as hard to say just what it is as it is to explain exactly why it is so good.


The catalogue essay by the curator, Phillip Prodger, recounts how the photographer was once pressed to explain a shot of his infant son lying asleep in bed (pictured above). Is this a meditation on childhood, or a commemoration of this boy at a tender age? No, Eggleston insisted, sounding a bit vexed, ‘It’s something more ambiguous than that.’

Complete read at The Spectator. 

A Road Less Traveled: How William Eggleston Transformed Photography in America

Added on by ROSEGALLERY.

ARTSY EDITORIAL
BY ABIGAIL CAIN
JUL 22ND, 2016 10:35 AM

William Eggleston Untitled, 1965/2012 Gagosian Gallery

William Eggleston
Untitled, 1965/2012
Gagosian Gallery

William Eggleston Morton, Mississippi , 1969-1970 ROSEGALLERY

William Eggleston
Morton, Mississippi , 1969-1970
ROSEGALLERY

William Eggleston has no trouble pinpointing the first of his color photographs that he considers a success. It was 1965, late afternoon, and the American photographer was standing outside a supermarket in Memphis, Tennessee. The warm sunlight had just caught the blonde hair and absentminded expression of a teenaged employee, who was dutifully organizing shopping carts. Eggleston aimed his camera and moved in close. Click. The resulting image embodies, in many ways, his eventual photographic practice—inconsequential moments in the American South, captured in such a manner that the colors practically glow.

Please visit Artsy for complete read. 

Art Rant: Photo London

Added on by ROSEGALLERY.

West coast flower power: Rose Shoshana; The Mother of photography dealers, always enthusiastic and generous with her time was stuck in a badly lit overly warm corner. Her booth shows magnificent and rare Evelyn Hofer and William Eggleston dye transfer prints going for approximately the same price ($40k or less) as the uninventive pretentious void of a Jean-Baptiste Huynh print. Hello! Dye transfer prints are pure magic! This rare and complicated technique is the most vibrant expression at the heart of the historical renaissance of American color photography. Why have they not sold out?

Source: artwise