by Gautam Raja
In synopsis, the video of John Chiara at work is straightforward enough. A photographer takes out his camera, drives to a viewpoint, focuses, loads film, and takes a photograph. He goes home and develops the film himself. There’s nothing unusual in this for a fine arts photographer.
What’s startling is the scale at which all this is happening. Taking out the camera involves hitching it to a truck and towing it on its custom trailer. To focus, Chiara has to tug with all his might to move the camera body out inch by inch. To check focus and load film, he actually enters the camera, or “suffocation box” as he calls it, and tapes a photographic paper to the back. After crawling out through a light-tight garbage-bag chute, he’s ready to expose the shot. There’s no shutter, he simply removes the lens cap for a while. He doesn’t use a light meter or a stopwatch, just his intuition, sometimes blocking off part of the lens with his hand to balance the exposure.
There’s no film big enough, so Chiara shoots directly on photographic paper up to 50x70 inches. Developing the print involves loading it into PVC sewage pipe section almost as tall and broad as Chiara himself, that he has capped so it’s light tight, and agitated by rolling it up and down the clearly much-abused kitchen floor. (Photographers usually agitate by turning their little film tank over every few seconds.)
Chiara, based in San Francisco, is one of seven contemporary artists featured at a new exhibition at the famed J. Paul Getty Museum in Los Angeles. Called Light, Paper, Process: Reinventing Photography it pushes the medium so far that the curator’s tour visits the galleries of four photographers before arriving at one who actually uses a camera.
Source: Gulf News